Bewitched Switch Card Trick

 
Card Tricks > Geometric Treatment Card Trick

Bewitched Switch (Which is Which?)

Bewitched Switch (Which is Which?)

In the next trick, three playing cards are treated as three labeled objects of identical design could have been used, playing cards are possibly to be preferred, since they are similar and distinguishable when viewed from the back, but quite different when viewed from the front.

This mind-reading stunt is not only entertaining in its own right, but also represents a baffling exercise in logic.

Presentation

The performer places three cards face down on a table in a row at position 1, 2, and 3. A spectator is asked to make a note of these positions. The performer then turn his back and request the spectator to pick up one of the cards, memorise it, and replace it face down
at its original position.

The performer announces that he will attempt to identify the selected card but to render the trick more difficult he proposes that the spectator switch the cards about, but with the stipulation that this be done only by switching two cards at a time and that the positions of the switched cards be called out to the performer each time. To illustrate the switching technique, the performer requests the spectator to try his hand at this by first switching the two cards he did not pick up at the beginning. For this trial switch, the spectator does not, of course, give the positions of these two cards, since this would at one tip off the performer to the position of the spectator's memorised card.

After several switches have been completed to the satisfaction of the spectator, the performer turns towards the tabled cards and identifies the card that the spectator originally picked up and memorised.

Method

Although the three face down cards superficially appear to have identical backs, a closer inspection will usually reveal one card to exhibit some minor difference such as crease, bend, flaw, nick, or other imperfection. With new cards, some microscopic identifying mark may become necessary such as a pencil dot, a fingernail indentation, or the like. One of the cards need be marked and identified in this manner.

The performer, before turning his back on the proceedings, notes the position of this marked card in the three card row on the table. Thereafter, he must keep exact track of this card as the card are switched from place to place. He can do this mechanically by using
the first three fingers of one hand. For example, if the marked card is initially at position two, his thumb contacts his second finger. If a switch is now made of the cards at positions 1 and 3, he does nothing for his card at the number 2 positions is not involved. On the other hand, if the switch involves the cards at position 2 and 3, he moves his thumb from his second to third finger to indicate the new location of his marked card.

With the completion of the switching routine, the performer turns to face the tabled cards and notes the position of his marked card.

For example, if the performer's marked card is at position 2 and his finger contacts indicates it should be at position 1, then the spectator's memorised card is at position 3.

Explanation

The card that the spectator initially picks up for identification and memorising can either be, or not be the same as the performer's marked card.

  1. If the spectator picks the performer's marked card for his card also, then the initial trial switch of the two other card leaves this common card unchanged as to position. The tip off as to when this event happens is given when the performer turns and observes that the actual table position of his marked card corresponds to his fingered position for this card at the end of the overall switching routine.
  2. If the spectator selects a card for memorisation that is other than the performer's marked card, then the performer's marked card and the other card that the spectator did not pick up for identification are the two cards that are switched at the very beginning. This throws the performer's card out of position and puts this third card in the spot vacated by the marked card.
  3. At the end of the switching routine, the performer turns to the table and observes that his marked card is not where it should be as indicated by the posting for this card on his fingers. This immediately tips him off to the fact that his marked card and the third indifferent card must have been switched in the initial trial switch.

Comments

In working this card effect, it actually makes no difference at what point the two cards, not initially selected by the spectator are switched. But, the idea of a trial switch at the beginning is less apt to be questioned by the spectator. An elegant adaptation of this three card effect has been worked out that eliminates any need for the performer to ever view the three card set up. However, it does call for the cards to be returned to their original positions at the end of the switching procedure.

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